rossinghe oundariesPaintings by Gaylen
Stewart and Poetry/Text/Music by Steve Scott
The
Ohio Arts Council helped fund this project with state tax dollars
to encourage economic growth, educational excellence and cultural
enrichment for all Ohioans.
All images
copyrighted © 1998 by Gaylen Stewart
teve cott3001 Roman Court Sacramento, CA 95826, thescotts@ttns.net , (916) 361-0861
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1951 |
London, England. |
ORK: |
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1975 to present |
Poet, multimedia artist, musician, lecturer. |
1977 to present |
Employed as a Staff member at Warehouse Ministries, Sacramento, CA. |
DUCATION: |
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1975 |
Graduated Croydon College of Art. England. Involved in poetry readings, multi-media events at Drury Lane Arts Laboratory and Troubadour Coffee House in Earls Court, London. |
Upper Division work: Croydon College of Art. Concentrated on experimental film, which continued after graduation. |
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UBLICATIONS: |
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1996 |
Id walk a million miles for one of your smiles, Mona. PRISM magazine. Summer. |
1995 |
Whats the Frequency, Kenneth? Overground Newsletter. |
1994 |
Am I Really Here, or is it only Art? Umbrella Magazine. Spring. |
1992 |
What is the Mystery? Entire Vision magazine. Christmas. |
Small world, Hard Reality. Entire Vision magazine. Kansas. Fall. |
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The color of my wings. Catalog essay for Dan Callis multimedia show, 'My words, your words,' which opened at the Riverside Art Gallery. September. |
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Drawing Conclusions, Art and Confrontation, and Like A House on Fire. Three essays included in the book, Artrageous. Published by Cornerstone Books. Summer. |
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The current crisis in Modern Art: Whats in it For You? Third Way Magazine, U. K. Summer. |
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A Jar of Dead Flies: Cheap Grace and Lame
Excuses in the Area of Christian Art.
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1991 Cosmic Conflict. Paper presented at the Bali Arts Conference. Published in the book, 'Voices at the Watering Places. September. |
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1990 |
Signs and Wonders: The Poetry of David Jones. Radix Magazine. Summer. |
The Forgotten Language. An essay on Postmodern Art, and a report on the Bali Arts Conference. ACM Journal. February. |
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1987 |
Art, Mission and Incarnation. Radix Magazine. Winter. |
1985 |
When Worlds Collide: The Novels of Shusaku Endo. Radix Magazine. Summer. Reprinted in 'Third Way Magazine, 1991. |
1984 |
Figuratively Speaking: The Medieval Mystery Plays. Radix Magazine. Spring. |
1982 |
Crying for a Vision: Modern Art and the Christian Artist. Radix Magazine. March/April. |
1981 |
Inner Healing. Coauthored with Brooks Alexander. The Spiritual Counterfeits Journal. |
East Meets West: how much dialogue is possible? Radix Magazine. January/February. |
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OOKS: |
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1997 |
Like a House on Fire. Essay collection on art, postmodernism and multi-culturalism. Cornerstone Press, Chicago, IL. Forthcoming. |
1994 |
The Boundaries. Vol 3: Out of Order (the
Dutch/Belgium volume).
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1993 |
The Boundaries. Vol 2: The Saint Petersburg
Fragments.
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1991 |
Crying For A Vision. A book on the Arts. STRIDE Publications: UK. |
1990 |
The Boundaries. Volume 1: Afterimages--Asian Sections. |
1975 |
Ghost Dance. Monolith Books: United Kingdom. |
USIC: |
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1997 |
More than a Dream. In progress. |
1996 |
We Dreamed that We Were Strangers. Glow Records/Rad Rockers. Kansas City. |
1994 |
Empty Orchestra. Twitch Records. Kansas City, MO. |
1992 |
The Butterfly Effect. Blonde Vinyl. Los Angeles, CA. |
1990 |
Magnificent Obsession. Alternative Records. Eugene, OR. |
1989 |
Lost Horizon. Alternative Records. Eugene, OR. |
1983 |
Love in the Western World. Exit Records. Sacramento, CA. |
ILMS: |
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1976 |
Correspondences. Shown at Expanded
Cinema Festival.
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1975 |
Ghost Dance. United Kingdom. |
HEATER: |
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1991 |
Beloved Disciple. A multimedia drama event based on the Gospel of John. Easter. Influenced by the writings of Alan Culpepper and Gail R. ODay. |
ECTURES / EMINARS: |
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1996 |
Cornerstone Festival. Chicago, IL. Summer. |
1992 |
Speaker/performer for Arts weekend hosted by ENTIRE VISION/UMBRELLA magazine. Kansas City, MO. Fall. |
Cornerstone Festival. Chicago, IL. Summer. |
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1991 |
Greenbelt Festival. United Kingdom. |
Cornerstone Festival. Chicago, IL. Summer. |
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1990 |
Visiting Artist. Biola University, Southern California. Fall semester. |
Cornerstone Festival. Chicago, IL. Summer. |
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Calvary Chapel Pastors Conference. Costa Mesa, CA. |
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1989 |
The Bali Arts Conference: The Artist as an Agent of Re-Creation. Bali, Indonesia. |
1983 |
L Abri Fellowship. England. |
Arts Center Group. London, England. |
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1979 |
Church-based art events in conjunction with the New Performance Consort and BACAN. (1979 to present). |
1975 |
Arts Center Group. London, England. |
RAVEL: |
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1994 |
Bali, Indonesia. Participant at the second international artists gathering hosted by Protestant Church of Bali. |
1993 |
The Netherlands/ United Kingdom. Performance tour of spoken word/sound loop material contained on the 'Butterfly Effect album. |
1992 |
Russia. Observer/participant in the first East/West Christian Arts Festival held in St. Petersburg, Russia. January. |
1989 |
Bali, Indonesia. Participant in the Artist as an Agent of Re-creation Conference. An international gathering of artists hosted by the Protestant Church of Bali. |
1987 |
India. Observing the work of the indigenous church, and the native missionary workers. |
1981 |
Northern India. Research into Eastern Religions, observing first hand some of the spiritual traditions and culture of India. |
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