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c_04rossingt_04he b_04oundaries

Paintings by Gaylen Stewart and Poetry/Text/Music by Steve Scott
A collaborative and multi-disciplinary, art project.

The Ohio Arts Council helped fund this project with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.





All images copyrighted © 1998 by Gaylen Stewart
Poetry/Text/Music copyrighted © 1998 by Steve Scott


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s_04teve s_04cott

3001 Roman Court Sacramento, CA 95826, thescotts@ttns.net , (916) 361-0861


I appreciate your comments


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b_04ORN:

1951

London, England.

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w_04ORK:

1975 to present

Poet, multimedia artist, musician, lecturer.

1977 to present

Employed as a Staff member at Warehouse Ministries, Sacramento, CA.

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e_04DUCATION:

1975

Graduated Croydon College of Art. England. Involved in poetry readings, multi-media events at Drury Lane Arts Laboratory and Troubadour Coffee House in Earl’s Court, London.

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Upper Division work: Croydon College of Art. Concentrated on experimental film, which continued after graduation.

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p_04UBLICATIONS:

1996

“I’d walk a million miles for one of your smiles, Mona.” PRISM magazine. Summer.

1995

“What’s the Frequency, Kenneth?” Overground Newsletter.

1994

“Am I Really Here, or is it only Art?” Umbrella Magazine. Spring.

1992

“What is the Mystery?” Entire Vision magazine. Christmas.

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“Small world, Hard Reality.” Entire Vision magazine. Kansas. Fall.

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“The color of my wings.” Catalog essay for Dan Callis multimedia show, 'My words, your words,' which opened at the Riverside Art Gallery. September.

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“Drawing Conclusions,” “Art and Confrontation,” and “Like A House on Fire.” Three essays included in the book, Artrageous. Published by Cornerstone Books. Summer.

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“The current crisis in Modern Art: What’s in it For You?” Third Way Magazine, U. K. Summer.

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“A Jar of Dead Flies: Cheap Grace and Lame Excuses in the Area of Christian Art.”
True News magazine.
April.

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1991 “Cosmic Conflict.” Paper presented at the Bali Arts Conference. Published in the book, 'Voices at the Watering Places.’ September.

1990

“Signs and Wonders: The Poetry of David Jones.” Radix Magazine. Summer.

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“The Forgotten Language.” An essay on Postmodern Art, and a report on the Bali Arts Conference. ACM Journal. February.

1987

“Art, Mission and Incarnation.” Radix Magazine. Winter.

1985

“When Worlds Collide: The Novels of Shusaku Endo.” Radix Magazine. Summer. Reprinted in 'Third Way’ Magazine, 1991.

1984

“Figuratively Speaking: The Medieval Mystery Plays.” Radix Magazine. Spring.

1982

“Crying for a Vision: Modern Art and the Christian Artist.” Radix Magazine. March/April.

1981

“Inner Healing.” Coauthored with Brooks Alexander. The Spiritual Counterfeits Journal.

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“East Meets West: how much dialogue is possible?” Radix Magazine. January/February.

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b_04OOKS:

1997

Like a House on Fire. Essay collection on art, postmodernism and multi-culturalism. Cornerstone Press, Chicago, IL. Forthcoming.

1994

The Boundaries. Vol 3: Out of Order (the Dutch/Belgium volume).
Inertia Books, Kansas City, MO.

1993

The Boundaries. Vol 2: The Saint Petersburg Fragments.
Cornerstone Press, Chicago, IL.
(Reprinted in 1996).

1991

Crying For A Vision. A book on the Arts. STRIDE Publications: UK.

1990

The Boundaries. Volume 1: Afterimages--Asian Sections.

1975

Ghost Dance. Monolith Books: United Kingdom.

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m_04USIC:

1997

More than a Dream. In progress.

1996

We Dreamed that We Were Strangers. Glow Records/Rad Rockers. Kansas City.

1994

Empty Orchestra. Twitch Records. Kansas City, MO.

1992

The Butterfly Effect. Blonde Vinyl. Los Angeles, CA.

1990

Magnificent Obsession. Alternative Records. Eugene, OR.

1989

Lost Horizon. Alternative Records. Eugene, OR.

1983

Love in the Western World. Exit Records. Sacramento, CA.

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f_04ILMS:

1976

“Correspondences.” Shown at Expanded Cinema Festival.
Institute of Contemporary Art,
London.

1975

“Ghost Dance.” United Kingdom.

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t_04HEATER:

1991

“Beloved Disciple.” A multimedia drama event based on the Gospel of John. Easter. Influenced by the writings of Alan Culpepper and Gail R. O’Day.

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l_04ECTURES / s_04EMINARS:

1996

Cornerstone Festival. Chicago, IL. Summer.

1992

Speaker/performer for Arts weekend hosted by ENTIRE VISION/UMBRELLA magazine. Kansas City, MO. Fall.

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Cornerstone Festival. Chicago, IL. Summer.

1991

Greenbelt Festival. United Kingdom.

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Cornerstone Festival. Chicago, IL. Summer.

1990

Visiting Artist. Biola University, Southern California. Fall semester.

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Cornerstone Festival. Chicago, IL. Summer.

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Calvary Chapel Pastor’s Conference. Costa Mesa, CA.

1989

The Bali Arts Conference: “The Artist as an Agent of Re-Creation.” Bali, Indonesia.

1983

L’ Abri Fellowship. England.

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Arts Center Group. London, England.

1979

Church-based art events in conjunction with the New Performance Consort and BACAN. (1979 to present).

1975

Arts Center Group. London, England.

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t_04RAVEL:

1994

Bali, Indonesia. Participant at the second international artists’ gathering hosted by Protestant Church of Bali.

1993

The Netherlands/ United Kingdom. Performance tour of spoken word/sound loop material contained on the 'Butterfly Effect’ album.

1992

Russia. Observer/participant in the first East/West Christian Arts Festival held in St. Petersburg, Russia. January.

1989

Bali, Indonesia. Participant in the “Artist as an Agent of Re-creation” Conference. An international gathering of artists hosted by the Protestant Church of Bali.

1987

India. Observing the work of the indigenous church, and the native missionary workers.

1981

Northern India. Research into Eastern Religions, observing first hand some of the spiritual traditions and culture of India.

i_04mages
Of Paintings
p_04urchase
Paintings or CDs
s_04tatement
About the Project
r_04esume
Gaylen's
e_04xhibition
Schedule


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